X-Men #1 Preview (Unlettered)
—X-Men #1 Preview (Unlettered)
—“Without a doubt, Cecilia Reyes. She’s a very expressive character, and, as she’s new, you have the feeling that you’re really living the situations she gets involved in as something new and exciting”
Germán García on which character from his run was more rewarding for him to draw.
Notice Black Panther on the first picture, an unreleased promo picture for the Psi War arc, was he supposed to co-star in that African adventure?
—“I could clearly see his intentions with respect to what he wanted to deliver in every scene, so I’d look for the best way possible to do that […]. I.E., in issue #75, Cecilia Reyes smashes with her force field the villain’s power source, but she smashes it because she falls down while trying to reach for it, so what I did was that when falling, she flips and ends up smashing the thing with her ass. It’s not an important change, but powers the joke up.”
Germán García on his and writer Joe Kelly synergy.
—“He writes the kind of stories I’d like to write, understanding the adventure as a light reading and giving importance to the feelings of the characters, but treating them with humor, with that kind of touch on the characters that allows you to see their feelings in a funny way”
Germán García on Joe Kelly’s writing.
—X-Women by Claremont and Manara.
Fuck Yeah! or No Way!?
I’ve liked this, mostly because of the art, I know, I know, cheese cake bordering on porn, but it’s undeniable that Milo Manara’s dominion over the human figure is total. He draws sexy men and women like nobody else on this industry. And although there where some panels where the “action” got a little on the nose, I think that the real guilty on how women are portrayed in this book is Claremont, who turned up the chauvinist level a few marks and used any chance he got to allegedly play to Manara’s strengths… without realizing how much more the artists is. I’ve seen European albums by him much less exploitative and yet quite sexier.
ASTONISHINGBRETTWHITE ANSWERED: CANNONBALL STANDING UP TO STORM OVER THE WAY SHE WAS TREATING MARROW, AND REALIZING HE MAY NOT WANT TO BE AN X-MAN.
Why I think Joe Kelly’s (and Steven Seagle’s) run on X-Men (1991) is the most underrated run by any author on that title is easily explained just by numbering some of his (or their) greatest moments:
These to name just a few, which was yours? Tell me and I’ll make a post with it, deal?
—What if Picasso had designed the X-Men.
Can we take a moment to appreciate this? [via]

David Lopez’s X-Men pin up. From sketch to print.
(via fuckyeaharchangel)
(Source: captainspaceheart, via lesbiansandthelivingdead)
Dead X-Men